The future of music, UGC 2.0, Roblox, and piracy

A community of Roblox users is missing a battle against moderation as the stage breaks down on music piracy, due to the platform’s newly public status carrying with it a new level of honesty. Commercial music is now disappearing from the stage and users are not comfortable about it. In recent weeks Roblox has been blocking users, muting unofficial audio playback, and extracting results when seeking artist music on its developer stage. But why did piracy exist on Roblox in the initial place? The unauthorized use of music on Roblox is centered on one product ­– the Golden Superfly Boombox. However, this is not a device for utilizing music; it is a tool for expression.

The Boombox is just an early indicator of the role music will more play on digital platforms. There are valuable lessons to be learned from its function within Roblox – there is a requirement for expressive audio, and users now need to be more than just customers. When rights holders fail in monetizing expression, commercial music inevitably loses its relevance. Instead, users convert to creator tools as a kind of entertainment – a content proposition that meets their requirements for expression.

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Spending on music for expression by users

The Boombox is Roblox’s most famous music and social product. It enables users to play one of the hundreds of thousands of audio files uploaded by users in the developer library by including the file’s audio code, broadcasting their music to those around them within the stage. With a single product, Roblox was capable of catalyzing the development of a whole micro-economy, driven by a society that discovered value in revealing themselves through sound.

Roblox no longer displays sales numbers, but the last available figures put the number of Boomboxes sold at near to half a million at 500 Robux a piece. User-uploaded audio assets, traditionally used for game improvement, became a platform for users to make Robux by uploading ripped music at the request of others. When users get blocked or audio censored, the community adapts, either through new groups, Discord servers or distorting audio to avoid enforcement.

The developer site can be difficult to search for commercial music. If it is not there, it is possible to pay someone to rip the audio for a comparable price to buy the music on iTunes. Playing a song through a Boombox is not a proper process, and yet users still put themselves through it. Even if the music is difficult to get, poor quality, and heavily distorted, what matters is the context: having the music in the game.

Commercial music is insufficient

To Roblox users, commercial music is an inaccessible segment of the overall audio design. It is a limited resource among an abundance of audio memes, parodies, and dialogue. Commercial music is excellent, but not a necessity. Users are not spending money on convenience or quality, they are paying it to broadcast how they feel in front of other users.

The community provides content that gets better use of the tool in a way not different from platforms like Splice. It is no surprise that Roblox got a way to start meeting its users’ requirements with a creator tool. The loop-based DJ instrument within Splash enables users to prove themselves in the presence of others. It is also a model creator tool companies can follow. All they need is the right platform for their society to prove themselves.

Music's future depends on monetization

There was a time when the relationship between expression and consumption was strong. The music one heard helped define identity as much as the song one did not hear. Even the products used to listen to music were pure musical tools that were an intrinsically musical expression of individual identity (i.e. iPod Shuffle versus Classic).

Streaming produced music ubiquitous, divorcing consumption from expression. There is a small room for individual expression and customers are demanding more. The dynamics playing out on Roblox explain the lengths users will go to for expression, requirements that are not being adequately met by existing music industry models. UGC Music 2.0 is nowhere. A void will open up space for a new generation of communities, creator tools, and platforms built around expression, rather than consumption.

How do you use audio on Roblox?

Log into your account on There will be a blue bar at the top of your screen. Click Create. Click on Audio. Click Browse, and select an audio file.

Why is audio so expensive Roblox?

Roblox/R. I created a song, so why do I have to pay 350 Robux to upload it? Roblox moderators are limited in the amount of moderation they can do by this rule. It takes much longer to moderate audio than to moderate decals, for example.

How do you not get copyrighted on Roblox audio?

If it's your sound, you can use it. Don't steal other people's sounds and use them without permission. Just make it sound simple as that and then get a copyright for yourself. The lawyer is only needed if you're using other people's sound and need tips on where to alter so you cannot be used.

What is the time it takes for audio to be approved on Roblox?

An image can easily be moderated within 3 seconds, but audio needs to fully play. The approval process for a 4-minute song takes 4 minutes. The time required to approve audio is doubled because Roblox requires two moderators to do so.

How do you get rich boombox on Roblox?

It is necessary to go into Vehicle Simulator to get Rick's Boom Box. In order to complete this quest, you will need a CMD Hovercar, otherwise known as the DeLorean. You can buy one for $1985 in-game cash at the Supercars Car Dealership if you don't already have one. Click Y to hover in the DeLorean.